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a novel by
J. Ryan Stradal
Recently in the media|
|A Moody Fellow at Paste, Heavy Feather, Tin House,|
Publishers Weekly, American Microreviews, 3G1B,
New Pages, Necessary Fiction, and more
"his sentences swoop, dip and dive"
"as captivating as it is graceful"
"calls to mind the best of Vonnegut"
"the funniset book I've read in a long time"
"a brisk, clever take on the coming-of-age debut novel"
|.||The Autobiography of Daniel J. Isengart|
at Emily Books, The Brooklyn Rail, and The New School
"We loved how this book revels in gossipy detail about the queer art and performance scene in 80s and 90s NYC. . ."
|Commercial Fiction at Heavy Feather,|
Necessary Fiction, and Largehearted Boy
"a tremendous book that deftly weds psychological complexity behind a TV spot to the artificially sweet narrative of commercial fiction"
Understudies and Ravi at Heavy Feather, Necessary Fiction, Wigleaf 50, The Collagist, Other People, The Nervous Breakdown, Word Riot, Vol. 1 Brooklyn, 3G1B, Fanzine, and 3AM
"a little slice of genius". . . "a deadpan, sharply-observed novel" that tunes into "a contemporary world fixated on simulation and celebrity"
|.||Colin Fleming at NPR, The Boston Globe, The Atlantic, |
Sports Illustrated, and more
Recent writing by Colin at NPR, The Boston Globe, The Atlatnic, Sports Illustrated, The New Criterion, Jazz Times, and The Weekly Standard.
"Colin Fleming's collection is pithy and witty, and manages to walk an interesting line between absurd existentialism, surrealist fantasy, and magical realism. . ."
|Eric Barnes at North American Review, The Millions, Memphis Daily News, and WYPL's Book Talk.
"a remarkable book. Barnes effectively builds the tension of the story with his elliptical structure, and his prose is beautiful."
|Tom Molanphy at Longreads |
"There are all kinds of awful things I could consider. Hand-me-downs don't seem like the worst option. . ." Read the final essay in Tom's collection Loud Memories of a Quiet Life at Longreads. And at We Wanted To Be Writers, Tom reveals what books and other paraphenalia he keeps on his bedstand.
National Treasures at The Rumpus, Fanzine|
and The Quivering Pen
"one of those rare achievements when literature bears witness to that which would otherwise remain unacknowledged, not because it does not exist, but because we are afraid or somehow unable to speak of it"
|.||Nights I Dreamed. . . at Santa Fe Writers Project, The Rumpus, and Corduroy Books|
Runner-up at the Santa Fe Writers Project 2013 awards.
"The moments of disassociation that run through this deeply felt collection seem particularly contemporary because they bring to mind the self-consciousness and spectatorship that defines so much of modern American life."
|"Keeper of the Flame"|
Matthew Vollmer in Best American Essays 2013
Recently released: The Best American Essays 2013, which includes "Keeper of the Flame" by Matthew Vollmer, originally in the NER. Matthew's inscriptions has earned praise far and wide. A full list is here, including Matthew Daddona at The Brooklyn Rail
See the full list here.
a memoir by
Like A Song
What folks are saying|
"engagingly ambivalent and indisputably brilliant" - Chris Kraus on The Wes Letters|
"no one else is writing like Douglas Watson" - Hanna Tinti
"the poet laureate of pop culture" - Matt Bell on Dave Housley
"funny, moving, perceptive, artful" - Joanna Scott on Ravi Mangla's Understudies
"some kind of mad artistic genius" - Paul Harding on Daniel Mueller
"one of the truly exciting and significant writers of his generation" - Richard Burgin on Colin Fleming
"the most harrowing portrait of American boys careening into boyhood that I've ever read" - Benjamin Whitmer on Something Pretty, Something Beautiful
"It's hard to imagine anything more charming" - Andrew Solomon on The Autobiography of Daniel J. Isengart
"the best kind of book -- a book that I could step into and out of quickly, a book with no space wasted and a book which made me wish that I had written it." - Joe Hessert, ARDOR, on inscriptions for headstones
". . .steeped in the tar and nicotine of Raymond Carver, and bathed in the crackerjack wisdom of Flannery O'Connor. . . Let's just say I spent the entire book hypnotized by McLeod's wordcraft" - David Abrams on Charles McLeod
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